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                          ANTENNAE

                          THE JOURNAL OF NATURE

                          IN VISUAL CULTURE

                          SUNSET 47 masthead 5.5.19 copy Screenshot 2019-12-02 at 23.54.02

                          Antennae: The Journal of Nature in Visual Culture

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                          Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          Antennae: The Journal of Nature in Visual Culture

                          This issue of Antennae and the next are part of a project informed by the exhibition Making Nature: How We See Animals curated by Honor Beddard at Wellcome Collection (London) in 2016-17. This first installment, Making Nature, looks at the construction of nature as a cultural pursuit during the nineteenth and twentieth centuries. It focuses on issues of visibility and invisibility, both cultural and ecological, to critically appraise the methodological approaches that have defined the philosophies of the discipline. Technologies of visibility like taxidermy, dioramas, macro-photography, and illustration are here juxtaposed to highlight the complicity of art and science in the production of fictional narratives about the world we live in. This outlook should however not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as an invitation to reach further deep into the discipline’s productive core and to devise new natural histories for the twenty-first century. It is in this context that the next installment, also co-edited

                          2017-12-02 09.40.16

                          DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

                          LYNNTURNER

                          RONBROGLIO KATHYHIGH JESSICAULLRICH

                          HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

                          MARIAVERSTAPPEN

                          KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

                          ANGELASINGER

                           

                           

                          CAROL J ADAMS

                          SUZANNE ANKER

                          JONATHAN BIRTH

                          DOROTHY CROSS

                          CARSTON HOLLAR

                          GARY HUME

                          OLEG KULIG

                          ROSEMARYTROCCO

                          PAULINE OLIVERO

                          PETER SINGER

                          LOISWAINTERBER

                          CARY WOLFE

                           

                           

                           

                          Abbas Akhavan |Giovanni Aloi

                          Bergit Arends | Marc Beattie

                          Honor Beddard | Emily Eastgate Brink  

                          Aaron Delehanty | Mario A. Di Gregorio  

                          Mark Dion | Maria P. Gindhart

                          Isabella Kirkland | Maria Lux  | Lorraine Simms Regan Shrumm | Tamsen Young

                          Doug Young

                           

                           

                          AND MANY MORE

                          ANTENNAE

                          42 cover

                          THE JOURNAL OF NATURE

                          IN VISUAL CULTURE

                          ISSUE 49 — AUTUMN 2019

                          making nature

                                  with Honor Beddard, titled Re-making Nature will more closely focus on the work of contemporary artists whose practice entails revealing the constructedness of nature as a concept to map and untangle important nevralgic and yet under scrutinized junctions in our coevolutional histories with the rest of the natural world.

                           

                           

                          IN THIS ISSUE

                          Dr. GIOVANNI ALOI

                          Editor in Chief of AntennaeProject

                          34 essays and interviews

                          featuring key contemporary artists and scholars

                          329 pages

                          202 illustrations

                          MARIA LUX

                          p 164 p 214 p 188 p 224

                          p 214

                          p 69

                          p 72

                          quotation

                          Is there still a place for non-scientists in the trajectory

                          of science? What is lost if science is so specialized, or technologies so inaccessible, that average people feel alienated from its development, curiosity, and conclusions?

                          quotation two 7 biography

                          MICHAEL McCLURE: MEAT THYSELF

                          by Stefan Benz

                          1 making nature

                           

                          The Togo-Cameroon hunting pavilion at the 1931 International Colonial Exposition in Paris encouraged cynegetic tourism in Africa, largely through the inclusion of three large habitat dioramas. MORE >>

                           

                          Making Nature was an exhibition held at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. It explored how humans have constructed the

                          notion of nature over time, a question that has captivated philosophers, anthropologists, scientists, ethicists and artists for centuries. Curator Honor Beddard talks to us about this

                          pioneering exhibition.  MORE >>

                           

                          Making Nature

                          Giovanni Aloi interviews Honor Beddard

                           

                          Biogeography,

                          Autobiography, and

                          Wildlife Protection

                          By Maria P. Gindhart

                          8 diorama

                           

                          In this essay, Giovanni Aloi focuses on an axpect of Donna Haraway’s ‘Teddy Bear Patriarchy’ argument that was overlooked by the author: the important role played by decorum in the normativizing function of museum taxidermy.  MORE >>

                           

                          Dioramas: Realism

                          and Decorum

                          By Giovanni Aloi

                           

                          This essay examines the object history of the Feejee Mermaid, a taxidermy creature created from the top half of a mummifi ed orangutan

                          and the lower body and tail of a salmon, which defi es the category between nature and art.. MORE >>

                           

                          The Feejee Mermaid:

                          An Object’s History

                          By Regan Shrumm

                          9 feejee

                           

                          For over a hundred years, habitat dioramas have been the soul of natural history museums around the world. Firmly built into the architectural fabric of the institution and astutely combining sculptural, painterly, and theatrical idioms, dioramas have been regularly

                          understood as truth.  MORE >>

                           

                          Six philosophies for a habitatdiorama artist

                          Text and Images by Aaron Delehanty

                          2 six

                           

                          The current planetary environmental

                          emergency urges us to ask afresh: How can we simultaneously be part of a long history of nature, and yet be so late in realising what has happened? The recent development in ecological discourses make exhibition Mark Dion: Systema Metropolis from 2007 ever so

                          relevant.  MORE >>

                           

                          Mark Dion:

                          Systema Metropolis

                          By Bergit Arends, Images by Mark Dion

                           

                          Louis Pasteur’s published study of the French silkworm pandemic (1865-1870) helped visualise the invisible world. This essay examines how Pasteur mobilised new media

                          to categorise and visualise the vast cultural ecology that had shaped France’s silkworm disease.  MORE >>

                           

                          Ordering the Invisible

                          Images by Emily Eastgate Brink

                          10 ordering 3 mark dion

                           

                          In a time of climate-change denial and suspicion of scientifi c expertise, where science’s place in American culture is especially contested, Magnify considers the role of amateur  naturalists historically and today.  MORE >>

                           

                          Magnify

                          text and Images by Maria Lux

                           

                          Doug Young is one of only a few artists skilled in the labor-intensive technique of reverse painting on glass. These paintings address present- day concerns about the precarious state of the environment by taking natural

                          history museums and their display aesthetics as their subject.  MORE >>

                           

                          Providence Under Glass

                          By Tamsen Young, Images by Doug Young

                          11 magnify 4 providence

                           

                          Since January 2019 Marc Beattie has captured the captured, snapping a subject daily and amassing a cache currently of over a third of the Avian Class that have ever visited Norfolk,

                          and then never departed their uncanny dioramic setting. MORE >>

                           

                          The Bird Gallery

                          images by Marc Beattie

                          12 hookes 5 bird

                           

                          Robert Hooke’s

                          Macrographia

                          Text and Images: British Library

                           

                          Dr Mario A. Di Gregorio explores Haeckel’s unique idea of “monism” which lies behind the mesmerising illustrations of his most famous

                          work, Kunstformen Der Natur. MORE >>

                           

                          Ernst Haeckel and

                          the Unity of Culture

                          By Mario A. Di Gregorio

                          13 ernst

                           

                          Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

                          still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

                           

                          TAXA

                          Text and Images Isabella Kirkland

                          14 taxa 15 empire

                           

                          Simultaneously present and absent these shadowy animal traces connect with key environmental issues, such as habitat loss and the extinction of animal species. Lorraine Simms’s drawings are poetic meditations on change and loss - silent witnesses to the gradual disappearance of the wild. MORE >>

                           

                          EMPIRE of BONES

                          Text by and Images Lorraine Simms

                          p 188

                          p 164

                          p 224

                          COVER 49 6 abbas

                           

                          Abbas Akhavan: Fatigues

                          Giovanni Aloi Interviews Abbas Akhavan

                          9a feejee

                          p 125

                           

                          Isaella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE>>

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